Wednesday, June 4, 2014

after seventeen years


after seventeen years
underground in a brittle 
brown shell, emerging 
white into the light, turning
black, singing all day

The last time we saw them was in 1997. After seventeen years as nymphs buried a few feet deep in the ground in wooded areas here in southeast Iowa, the red-eyed cicadas have emerged once again, in huge numbers, as is usual with this species. They have tunneled up and popped out over just a few days in the last few days of May and the first few days of June. What would it be like to live your entire life in the dark and then suddenly see the light? John said when he was digging the foundations for our wind turbine tower, he uncovered some strange grub that poked its head out of a hole and then quickly withdrew back into its tunnel, where it would continue to suck on rootlets.


I am walking on the path from the house when I notice an anomaly in the grass. It's a cicada in the process of molting from its brown husk out of a split in the back.


For half an hour I watch in fascination as it descends, hanging head first, and appears to sprout tiny dragon wings.


It looks like a white shrimp with bright red eyes and black Groucho Marx "eyebrows."


The underside of the wings are marked with golden veins.


Suddenly it falls all the way out of the shell, which it clings to with its front legs.


There it hangs while its translucent white wings slowly unfold.


Magically growing longer.


And longer.


Beautifully veined, like opalescent glass windows.


After the wings are fully grown, the cicada closes them against its back, which is beginning to darken.


Finally, it descends to the grass, completely transformed in color, the wings and legs now coppery, the body completely black, hiding the "eyebrows."


The inside of the abandoned shell. 


The next day the yard is full of empty shells.



One pair looks like conjoined twins.



The underside of hickory leaves are full of nymph shells and holes chewed by the adults.



Some of them cling to an old handkerchief on the clothesline. No, those holes were not made by chewing insects!



When I was a child, my father would stick a cicada shell to my shirt, where it would cling like some kind of alien jewelry. At first I was terrified by the goggle eyes and hooked feet, but when I saw that it was just an empty shell, I came to enjoy wearing them as fragile pins.



My cicada is still right where I left it, clinging to a grass stem. It takes a few days for the exoskeleton to completely harden and during this time the cicada doesn't move around much. 


Sometimes the molting doesn't proceed properly. One cicada on a fence post hasn't flown away from its empty shell nearby because one of its wings dried in a distorted way. It will have to crawl to eat. It appears to be a male, since its abdomen is rounded rather than having a pointed ovipositor, so it's not likely to find a mate.


There are other hazards. A hapless cicada, perched on the rim of a bowl of water, falls in when our cat comes for a drink.


But Ginger is not interested in floating bugs and just laps water around it, so I'm able to use a leaf to rescue the cicada.


By the pond I find dozens of cicadas. They seem to prefer blackberry bushes.


And multiflora rose bushes.


On one bush I count 30 cicadas. The male "sings" by rubbing its wings against the tymbals on its body, an incessant chirring that sounds a bit like our wind turbine turning at medium speed. In between bouts of choruses, the males fly around in search of females. Once mated, the female inserts her eggs into a living stem. By the time the eggs hatch and the ant-sized nymphs fall to the ground and burrow, the adults are all dead. Strange life indeed.



Two weeks later, the waves of scintillating sound continue all day. The air is filled with copper wings and the little trees in our orchard are encased in cicadas. When the sun goes down, the cicada chorus is replaced by the frog chorus in our neighbor's pond across the road.



The only time they stop singing during the day is during a rainstorm, which we've had quite often this spring.



While I am taking photos in the orchard, a cicada lands on my left hand and starts crawling. Interesting acrobatics, trying to focus and take a photo of a moving object with one hand. But this gives a good idea of its size. Once a cicada landed on John and he inadvertently carried it into the car on his sleeve. What a racket it made in the closed vehicle! John rolled down the window and stuck his arm out, but it clung to his shirt until he brushed it off.



By the third week in June, some of the cicadas are showing wear and tear in the wings.



Although this one is still able to fly.

Another cicada is not so lucky. Finding it on the path by our front door, I carefully pick it up by the wings and place it on a tree. To my horror I see that it has only a head and legs, which are still moving, but no abdomen. When I return to the house, I see its black bottom on the rim of the granite bird bath, flattened, flacid. What on earth happened? With a little internet research, I discover that there is a fungus, Massospora cicadina, which spreads during cicada mating and destroys the the insect's entire abdomen within days. What a bizarre way to go. 

If a cicada doesn't get eaten instantly by a bird, opossum, snake, turtle, frog or spider, it may die a slow death from a sexually transmitted fungus. So the periodical cicadas' main defense, since they don't bite or sting or taste nasty, is to hide out underground for seventeen years and then emerge in overwhelming numbers so that enough survive above-ground perils to reproduce. Maybe that's why each cicada sports a mark near the tip of its wings: W for WE WIN.


By the third week in June, besides the continuing din, many trees and shrubs along the road and in the woods show signs of "flagging," where the twigs and leaves on the tips die and hang down like sad brown flags. This is caused by cicadas feeding on the leaves or laying eggs on the twigs. Apparently, this doesn't seriously harm mature trees and shrubs, though I'm glad I didn't plant any new trees in our orchard. Perhaps the flagging functions as a kind of pruning. In any case, I don't begrudge the periodical cicadas their food. They, in turn, will soon die and fall to the ground under those same trees and shrubs, providing them with fertilizer. And so the cycle of life continues.

Tuesday, June 3, 2014

hand to ear the statue


hand to ear the statue
leans forward listening to
the girl chat on the cell phone --
standing on one foot for ages,
witnessing the living

Led by our art teacher, Bill Teeple, we are touring the St. Louis Art Museum. After hours of watching slides of paintings on the flat wall of his studio, how wonderful to see the originals close up. Well, at least as close as the tape on the floor and the ever-present attendants will allow you to lean and point. As a painter, I marvel at the luminescence of a Titian, the quick brush strokes of a Monet water lily pond, the life-like gaze of a Corot portrait, the subtle color blending of an O'Keefe flower, the silence created by a room full of Rothko abstracts. But all the while, as a photographer, my eyes keep roving to the people around me. Because everyone is taking photos of the artwork, mostly with cell phones and notebooks, it's fairly easy to take candid photos with a small zoom lens camera.


A slender Asian girl in a wide-brimmed white hat and short lacy white dress takes a photo of a white marble statue. The marble woman has one hand to her ear, as if she is listening to the conversations going on around her while she stands frozen on one foot on a pedestal. The girl sits on one of the black couches to retie the crisscross laces of her platform shoes and talk on her cell phone, while a blue-shirted guard reads the information about a painting on the wall behind them.


A man in a black wheelchair, dressed all in black with a black bowler, his arms tattooed with twining roses, holds a yellow, red and blue satchel on his lap -- a work of art himself.


Another man dressed all in black, without a chair on wheels, takes a break on a bench.


A woman in a black and white striped skirt, holding the man's arm, stand so still gazing at a Thomas Hart Benton, they are like statues compared to the liveliness of the farmers making hay.


Another couple, both wearing blue jeans, except the woman's jeans are cut-off shorts revealing long bare legs above high heels. The king in the painting is also wearing high heels, but the only bare skin is his face.


Another person in shorts and long bare legs, this time a man, who has to lean far over to read the sign about the ornate cross in the display case.


A young girl in shorts and sandals takes a photo of an abstract sculpture, her face glowing cell phone blue.


Three ladies stand in a row for a long time, quietly contemplating a large, extremely detailed painting of a cathedral on the opposite wall. The tall one in the middle gestures as she explains to the others what she likes about her favorite painting.


A young mother engages in the age-old practice of lulling her baby with motion. Keep walking, no time to even look at the prints on the wall. 


Taking a close up with her cell phone, this lady is as colorful as the abstract painting.


Here we see the same lady apparently inside a display case!


And here she's multiplied inside a maze of mirrors.


It's so much fun . . .


Two friends take a turn.


In the Rothko exhibit, a woman mirrors the colors of one of the artist's small, earlier paintings.


Our teacher is happy to pose in front of a painting by his favorite artist, George Murandi.


In the gift shop, a lady in a black and white chevron skirt and coral top is definitely a modern work of art.


Outside, a scene in gray and blue, as our teacher checks his smartphone for a good place to eat dinner.




A wedding party leaves after their reception in the museum.


A family gazes over the wall at the formal fountains below. Happy 250th Birthday, Saint Louis Art Museum!